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The New Beginning, dreams and conflicts in America Obama

L'Edup, l'Upter e l'Ass.ne Le Sirene presentano:

Mercoledì 23 dicembre 2009 alle ore 16:30, Upter, palazzo Englefield, Via IV Novembre 157, Roma

La manifestazione, che si terrà dal 16 al 28 marzo 2010, si articolerà in una serie di incontri con esperti della politica americana per avviare una riflessione sulle realizzazioni e le difficoltà incontrate dal nuovo Presidente statunitense in questo suo primo anno di intenso lavoro e nel contempo misurare gli effetti di questo fenomeno sulla realtà istituzionale americana.

Durante la rassegna verranno esposte opere fotografiche realizzate da giovani autori statunitensi in the days of the victory of Barack Obama.

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Preview Dialog

Sala del Carroccio on Capitol Hill, Friday, December 18, 2009

The writer Eritrean Ribka

The councilor Paolo Masini and the chairman of the Ass. in The Sirens Maurizio Bartolucci

The Ass. king of Culture of the Province of Rome Cecilia D'Elia

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Setting Antonio Meneghetti is strongly attached to the socioanalisi. What is striking about the analysis done with the instrument of Cinelogy is not only the ability to get to the issues of our day, but the fact that they do so regularly revisited, depending on the generation, class, gender. It 's a linguistic technique is adopted to explain, according to the setting of' Ontopsychology applied to the cinema, the different situations, contradictions, doubts and clear dark society.

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http://www.youtube.com/watch?v=wQcun0FxyCY

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Art that enslaves or the art of life?

Today art has become a refuge, a field which allows you to give reality to the world of fantasy, the image of the irrational: as art, anything goes, even the apparent contradiction. By l’arte, l’uomo esprime qualcosa che lo necessita da dentro, anche se poi non lo comprende. In questo campo, la ragione non trova spazio e l’artista indica la verità rimanendone inconscio. Oggi l’arte è quasi sempre esposizione schizofrenica di un malessere, denuncia di un limite; relegandola come campo dell’assurdo, dell’impossibile, dell’inspiegabile, esaltandola come alto valore sociale, non si fa altro che accettare e confermare il limite, anzi, goderne segretamente. Anche il film, come opera d’arte, indica che l’uomo è affidato ad un “perché” inspiegabile.

L’artista, libero da vincoli razionali, esprime questa schizofrenia latente shapes and symbols on a codification through signs in the pre-oriented negative ego consciousness. The artist - an expression of social sensitivity in the tip - this decadence reveals the human and the presence of evil in its actuality.

The film is schizophrenic exposure of life and, once understood, shows the error, the whole basis of the human unconscious. Art becomes exalted in the sublimation and, as such, expresses and celebrates a philosophy of life to death, easily detectable in many successful movies. It is a philosophy that leads to the acceleration of the end and then presents it as the only possibility, indeed the most sought after, that is as sublime, high, heroic, spiritual. It seems that the man you love the sign that marks him and enslaves him at the expense of his individuality.

insights on www.ontopsicologia.org

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course "Creativity and enterprise"

is being established in the Faculty of Sociology, University "La Sapienza" of Rome, for the next academic year 2009-2010, the course of high training in "Creativity and enterprise". For graduates, using the most recent scientific contributions, including the views of Ontopsychology on business and society.

www.sociologia.uniroma1.it/video/brochure.pdf

Per informazioni: Facoltà di Sociologia.Segreteria Didattico-scientifica.

Email: cattedrasociologia@uniroma1.it
Tel. +39 06.49918497; +39 346.6069007.

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Presentation of the book "Cinelogy Ontopsychological"

At the 7th edition of the Fair Book of Rome "More books, More Freedom", the conference "Cinema and Society: The New Borders" will take place with the presentation of the new edition of the book "Cinelogy Ontopsychological, already for some years and text subject of study for a seminar entitled Cinelogy: Cinema and Unconscious active at the The Chair of Sociology advanced course, Faculty of Sociology at the University of Rome La Sapienza. Lecturer Paolo De Nardis, from University La Sapienza of Rome, will be present. The event will take place Sunday December 7 from 14:00 to 15:00 15:00 Ruby Room (1st floor), Congress Palace, Roma EUR, Viale Kennedy, 1.
The Conference is free and open to all visitors of the Fair (Fair admission ticket 6 Euro). The Ruby Room Should Be
accessed at least 15 minutes before the event.

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Methodology dell'idromusica

The basic methodological approach is the same as the solar dell'idromusica melolistica, while presenting specific differences from a technical point of view. The duration
type of a match is about 45 minutes, the number of participants varies from ten to forty people, the facilitator of this activity is a ontopsychologists or melolista.

core objectives: to eliminate all forms of rigid body, restore circularity energy, increase Lasala, "dissolve" the eroticism blocked, stimulate
transcendental insights. To this end, the water spray is directed according to two logics:
1) the reactivation of the body in general;
2) identification of the sensitivities of each body. Where
note the most sensitive part of the person, the driver must avoid touching the water, because that part is already active and somatic vital for its own account. The strong shock through the water jet is used to raise and eradicate la pigrizia di un istinto sepolto in quel luogo. Con la pulsione apparentemente violenta dell’acqua viene riattivato il naturale magnetismo che ogni individuo ha nel proprio corpo.

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BIOPSICOFONICA THE BOOK: THE BOOK OF MASSAGE BED

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BIOPSICOFONICA:




This book was born from the need to address, in a systematic and thorough, the path that led to the emergence of the innovative method of "Biopsicofonica.
After years of research and experimental practice, we wish to make known, to anyone interested, the various stages of our research we want to show that we have found the answers to all questions we posed, thus allowing the reader to relive with us, almost at first hand, our way ... and perhaps continue on our side, facendoci altre domande.

La musica e in particolare il suono e le frequenze della Bio_Psico_Fonica
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Il primo libro che permette di entrare nella ricerca meravigliosa e vastissima
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Alfredo Miti Maturani
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aspects related to the welfare

Ebe Cominotti
Naturopath, Orthobionomy operator, responsible for training new operators
Biopsicofonica
www.biopsicofonica.com

To book and receive the book please write to info@biofonica.com
Cover Price € 13.00 + € 2.00 postage

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Cinelogy

Analisi logico comportamentale attraverso proiezione filmica. Analisi delle dinamiche emotive attivate dall'impressione o contatto di immagini in scorrimento nello spettatore.
Nella scuola ontopsicologica la cinelogia è basata sulla reazione dei processi emotivi dello spettatore, azionati dal contatto con le immagini episodiche proiettate sullo schermo, per cui il film analizzato non è il contenuto previsto dalla regia o dalla storia di copione, ma a) il vissuto dello spettatore o b) l'intenzionalità inconscia individuale o c) sociale espressa dal regista e dal
soggettista.

Metodologia
Lo svolgimento della cinelogia è il seguente.
1) Introduzione alla cinelogia e alla tematica del film (da parte del conduttore), e proiezione del film.
2) Dopo un quarto d'ora di intervallo dalla fine, il conduttore prende la parola, invitando chiunque dei presenti ad esporre in modo immediato quei passaggi del film dove si è più emozionato.
3) Ascoltati tutti i volontari - dai quali si evidenzia un secondo film per molti aspetti difforme da quello proiettato - inizia la terza fase, che è la più importante. Essa appartiene completamente al conduttore, il quale, dopo l'analisi, effettua una rimessa a punto e dà una direttiva, assumendo come criterio non l'immagine, le teorie, l'idea, la filosofia, la politica, ma soltanto il reale della vita.

Per approfondimenti: ontopsicologia

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The etymology of Cinelogy

Cinelogia

“Cine” (dal gr. “κίνησις”) significa: cinema, azione, immagine in movimento; “logia” (dal gr. “λόγος”) è la scienza, la conoscenza, il discorso, il modo di analisi.

In sostanza, la cinelogia è l’uso di quella logica che consente di discriminare la positività o negatività di un film, in rapporto alla coscienza, all’essere umano in its social context today. So if you moved to a more or whether it be limited to discourage or infinite regressions of those species that we see all around the world.

Cinelogy means then identify what is the logic of the film image, logic clearly laid the corner man, whose fundamental criterion is the ontic In-itself. In this sense, Cinelogy would be the basic principle is then applied in all that is art, success, communication, information of its own, specific to all that is moving image (theater, cinema, advertising, etc. ..)

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IX INTERNATIONAL CONGRESS OF ONTOPSYCHOLOGY

"Who am I among the image that I act out the image that I
inside? Being able to verbalize this is Cinelogy. " ( Antonio Meneghetti)

IX INTERNATIONAL CONGRESS OF ONTOPSYCHOLOGY
Local: Hotel Cavalieri Hilton - Rome
Theme:" The Cinema and the unconscious "
Date: 9-13 May 1982

is treated in the international scientific methodology
Cinelogy. Roundtables on the films are conducted with the participation of
Giancarlo Giannini (actor) and others in the cinema.
intervened for the occasion, artists, filmmakers, actors, film producers,
sociologists, psicologi, psichiatri.
L’evento permise al Prof. Antonio Meneghetti di analizzare il fenomeno
cinema in tutti i suoi risvolti, sviscerando le profonde motivazioni
delle sue origini rintracciabili nel teatro, analizzando la
personalità degli operatori di cinema, sintetizzatori ed espositori di
quella sensibilità inconscia che attanaglia il nostro secolo. Il fatto
filmico si dimostrò ideale per verificare l’autenticità dell’Io
individuale e le relazioni sociali.
Assumendo, quindi, un qualunque film come un prodotto onirico
dell’inconscio collettivo e individuale, si può strumentalizzarlo per
consentire l’interazione riflessa viewers in order to highlight the constellations
subliminal.

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Cinelogy and Ontopsychology

"As students, we are usually engaged in different fields from the world of cinema. In a sense we've split up by the actors, who are "agents" of all those phenomena that "pilot" human action, so watch the protagonist in the event of a universal fact can be seen in a false light.

fact, I always noticed that one thing is for the role - both as a priest, that a magistrate or a film actor - quite another thing is man, the individual. And usually a film actor is known according to the cliché, the whose components are many. Among these, it is very important to the public whose expectations the actors strive to match.

analyzing the film did in fact look at our unconscious, not the actor or director, but the human in general, of which they are only the exhibitors'

Antonio Meneghetti, Proceedings of the IX International Congress of Ontopsychology held in Rome from 9 to 13 May 1982

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ONTOPSYCHOLOGICAL CINELOGY

Since Ontopsychology - the latest of the contemporary sciences to Be Brought to Life - Revealed and has isolated the three causal elements of Investigation (the Ontic In-itself, the semantic field and the deflection monitor), new criteria have come to the fore, making possible an accurate focus on human phenomenology through filmed communication, in its manifestation as dreamlike input for the collective d individual subconscious.
With the publication of this text, all of cinematic semiotics, as both criticism and expression, is rendered obsolete. What has occurred is a reformulation of the elementary criterion for understanding films both per se and within the context of their role as social communication, stimulus of individual drives and understanding of the historic man.

Antonio Meneghetti
Year 2007 (1st ed. 1972)

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Psychology and Communication

"Il secolo che si è da poco chiuso alle nostre spalle ha evidenziato, come ultima tendenza,
in the spread of mass media, the new frontier in the evolution of language.
Today we are faced with a new insight into the universe. How will the evolution of communication
so will the human.
Entering the Third Millennium we understand that technology is gradually taking over the human intuition and creativity. E 'essential' understanding and use of a humanistic science that can trace the essence of man, recovering its sense and lead to personal fulfillment and rationally all'autocomprensione "(1).
(1) Antonio Meneghetti The Cinelogy - Cinema and unconscious - Psychological Publishing 2000, Rome
and 'new edition of the book entitled The Cinelogy Ontopsychological - Psychological Publishing, 2008, Rome

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the Cinelogy

The Cinelogy is an educational tool that is used by science Ontopsychological. It is the analysis of the emotional dynamics triggered in the viewer the impression of scrolling images or contact during the screening of a film. The
Cinelogy is based directly on the viewer's emotional reaction processes in the face of projected images. Is there any person in a form of selection that led him to choose the exposure of a certain type of communication instead of another.
On this basis the application of Cinelogy Ontopsychological represents a shift in the audience to promote and test critical thinking about the individual existence, through the analysis of the existence of the protagonists of the film, that is, whether the existence of protagonists is structured so winning and losing functional or so (and why) in reference only to the failed social, economic, political and existential. The
Cinelogy stems from the fact that all the individual's knowledge is based on the mechanism of projection is the truth in a way, but the audience recording and live according to their own mental models. In fact rarely consciousness coincides with the real objective, with consequent removal of operational functionality for the subject. Through
Cinelogy the viewer becomes aware of their inner world and their own emotions and therefore is a meter compared to detect it at himself.

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Cinelogy exceeds the ego defenses

cinema as a tool for the scientific analysis of mental activity. First to speak was Prof. Antonio Meneghetti , author in 1980 of the book "The Cinelogy: cinema and the unconscious, which shows how to analyze the emotions of the viewer in front of a movie. Un'esperienzapratica Cinelogy was designed by the Faculty of Sociology and Science Comunicazionedell'Università of "La Sapienza " with the International Association of Ontopsychology : a group of students and researchers have tested the implications of a simple comment on a film, in this case "The Moon" directed by Bernardo Bertolucci. A film and a few opinions on emotions: the Cinelogy reveals the ego defense mechanisms that protect the individual from the deep feelings of fear and anxiety. The unconscious part of the individual accounts for 80% while the rational part of the psychic work for a maximum of 15%. The script of a film respects, profound in its composition, a pattern similar to that traced in the life of the human analogy is also found in the fact that everyone remembers a detail that shows how important her unconscious. A coincidence? Although we do not know how to act, the unconscious influence our activities more deeply than we think. The result of the experiment is surprising. Three distinct phases

outline the shadow of personal filters. The verification of the functionality of
modes of thought and emotion of individuals, the method performed by an expert
Ontopsychological, pushes the acquisition of a growing awareness of the reality
objective facts, and matured critical of ideologies that characterize individuals and stable society.

source: ELENA PASQUINI (LUMSA NEWS)

Cinelogy for further information on visiting the official site of ' Ontopsychology